Installation Art 

Kinetic Installation at Allen Art Museum, Oberlin, Ohio, 1998

Material:5 Steel armatures, 5 pine cone embellished mens suits, rawhide, duck feathers (down), 5 gearmdotors, motion sensor, 5 bronze life masks of the artist's face 

At Emison Art Center Gallery, Greencastle, Indiana, Aug 29 –Oct. 2, 2001. 

Winged Evocation at the Havana Biennal at the Cabana & El Morro Fortress. Jamaica's representative to the November 2000 Havana Biennal, Havana, Cuba.  

Materials: Leather Jacket, Giant Pinecones, Cotton Jeans Trousers, pinecones. 

Another Hard Question, Paper boats from (Inside The Company) book on CIA used to Censor written response of Cuban Artists to Questions posed by the Artist.

Detail of paper boats from  Phillip Agee's book on the CIA Inside The Company. The boats are used to censor the responses by Cuban Artists to questions posed by the artists about Cuba. The Cuban curators and military authorities demanded the work be censored.

 Materials: Duck Feathers, Paper , ink

Materials:Duck Feathers, photograph 

Material: Duck Feathers, paper & beeswax life mask of the artist.

From exhibition at Emison Art Center Gallery, Greencastle, Indiana

Materials: Formal Straight back wood chair with Embellishments, Elk rawhide wings, Duck feathers, Wood and chain drive gear motor and steel armature.

This work was funded by the San Jose Museum of Art, for the Exhibition Unfamiliar Territory in 2003

Materials: Formal Straight back wood chair with Embellishments, Elk rawhide wings, Duck feathers, Wood and chain drive gear motor and steel armature.

Materials: Formal Straight back wood chair with Embellishments, Elk rawhide wings, Duck feathers, Wood and chain drive gear motor and steel armature.

Set of Black Fathers & Sons from the Artist In Action Series of the Brooklyn Academy of Music, a collaborative project with visual artist Johnny Coleman, poet and writer Quincy Troupe and the Performance Troupe the Hittite Empire. The work was performed at the Majestic Theater in Brooklyn, NY. 

Scene from Black Fathers & Sons from the Artist In Action Series of the Brooklyn Academy of Music, a collaborative project with visual artist Johnny Coleman, poet and writer Quincy Troupe and the Performance Troupe the Hittite Empire. The work was performed at the Majestic Theater in Brooklyn, NY. 

Kwabena Slaughter in Scene from Black Fathers & Sons from the Artist In Action Series of the Brooklyn Academy of Music, a collaborative project with visual artist Johnny Coleman, poet and writer Quincy Troupe and the Performance Troupe the Hittite Empire. The work was performed at the Majestic Theater in Brooklyn, NY. 

At the Bronx Museum, Bronx, New York

Materials Wood, 100 pounds of nails, coconut shells, candles, 

Materials: Apples & Oranges, coconut shells treated to becomes vessels that contain rum.

This work seeks to seeks to reconcile and illustrate the notion of difference as complimentary using the ancient Chinese Taoist symbol of duality to create a fruit mandala playing with the popular expression 'As different as Apples & Oranges' 

Materials: Apples & Oranges, coconut shells treated to becomes vessels that contain rum.

This work seeks to seeks to reconcile and illustrate the notion of difference as complimentary using the ancient Chinese Taoist symbol of duality to create a fruit mandala playing with the popular expression 'As different as Apples & Oranges' 

Materials: Apples & Oranges, coconut shells treated to becomes vessels that contain rum.Photographs with copper mats, Embellished wood chairs, embellished shirt & vest, Cowry Shells,

This work seeks to seeks to reconcile and illustrate the notion of difference as complimentary using the ancient Chinese Taoist symbol of duality to create a fruit mandala playing with the popular expression 'As different as Apples & Oranges' 

Materials: Suspended Throne, Nigerian Longhorns, feathers, photographs with inscribed copper mats.

Materials: Rocks, duck feathers, altered & Embellished wood chairs, wood table, with copper table covering, candles, dinner plates with food, cigars glasses with rum, gin & water 

Solo exhibition at Southwestern Community College Art Gallery, in San Diego, California, USA

Materials: Rocks, duck feathers, altered & Embellished wood chairs, wood table, with copper table covering, candles, dinner plates with food, cigars glasses with rum, gin & water 

Solo exhibition at Southwestern Community College Art Gallery, in San Diego, California, USA

Materials: Rocks, duck feathers, altered & Embellished wood chairs, wood table, with copper table covering, candles, dinner plates with food, cigars glasses with rum, gin & water 

Solo exhibition at Southwestern Community College Art Gallery, in San Diego, California, USA

The first large scale installation I created was inspired by the culture wars that ultimately censored and defunded the arts in the USA. Andres Serrano's Piss Christ ignited a firestorm of rage against the visual arts by the religious right. This work inspired me to ponder the power and function of religious symbols such as the Crucifix in society and its connections to the trans Atlantic slave trade in which the christianizing of the enslaved Africans was seen as one of the justifications for slavery. With this work the 100 pounds of feathers are the symbolic number and representations of fowls that would be required in a blood sacrifice to be offered to cleanse and redeem the symbol of its use for the oppression, enslavement and destruction of Africans. 

Materials: Wood Beam, goat hide, cowry shell & giant pinecone part

Materials: 100 pounds of duck feathers & down, Wood side table, wood box with accordion book. 

Materials: Rocks, Photograph, duck feathers

2001   Extremes of Violence, Extremes of Religions, (tribute to the victims of WTC Tragedy in form of thousands of Paper Airplanes. Kaohshiung International  Container Arts Festival, Kaohshiung, Taiwan, R.O.C.

Materials: 3,000 paper airplanes with the names of the victims of the World Trade Center attack in Mandarin Chinese.