Albert Chong
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installations i-traits Thrones artist portraits Jamaican portraits color still lifes Photomosaics Monochromatic Still Lifes Panoramic Photographs Botanical & Other Observations Inscribed Copper Matted Photographs Portraits Baker's Dozen-The Thrones:Portfolios of 13 Photographs in Wood Boxes Baker's Dozen-Color Still Life Photographs Baker's Dozen- I-Traits: A Portfolio of 13 Photographs Baker's Dozen - Jamaican Portraits Baker's Dozen- Monochromatic Still life Photographs Fungal Variations- works created from the effects of fungal decay of photographic emulsion Illuminations: Image Transfers on to various substrates with inscribed copper mats Works in the Third Dimension (SculpturaL Explorations)s
artist statement biography
GALLERIES installations i-traits Thrones artist portraits Jamaican portraits color still lifes Photomosaics Monochromatic Still Lifes Panoramic Photographs Botanical & Other Observations Inscribed Copper Matted Photographs Portraits Baker's Dozen-The Thrones:Portfolios of 13 Photographs in Wood Boxes Baker's Dozen-Color Still Life Photographs Baker's Dozen- I-Traits: A Portfolio of 13 Photographs Baker's Dozen - Jamaican Portraits Baker's Dozen- Monochromatic Still life Photographs Fungal Variations- works created from the effects of fungal decay of photographic emulsion Illuminations: Image Transfers on to various substrates with inscribed copper mats Works in the Third Dimension (SculpturaL Explorations)s NEWS
Albert Chong
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Miss Peggy, 2015 (image transfer on copper plate)
Miss Peggy, 2015 (image transfer on copper plate)

Miss Peggy, 2015 (image transfer on copper plate)

From the Illuminations series, image transfer on 11.50 × 8.30 inch copper plate with 14 × 11 inch inscribed copper clad mat. Unique one of a kind edition.

Self-Portrait as A Victim of Colonial Mentality, 1980(image) Mat, 2024

Self-Portrait as A Victim of Colonial Mentality, 1980(image) Mat, 2024

From the series Illuminations Image transfers onto copper plates and other surfaces such as steel, mirrors and mirrored surfaces. Image size 6 × 6 inches, Inscribed copper Mat size 14 × 11 inches, (all works in this edition are one of a kind or unique.)

The Immersion, 2024

The Immersion, 2024

The Immersion, 2024, 14 × 11 inches (image size 9 × 8 inches) Process: Image Transfer on copper plate with inscribed copper mats

 Apparition 2025 (from Ayinde & I, 1981), (image transfer on 9 × 8 inch copper plate 2025)   Mat size 14 × 11 inches                                From the series Illuminations  (unique/one of a kind work)

Apparition 2025 (from Ayinde & I, 1981), (image transfer on 9 × 8 inch copper plate 2025) Mat size 14 × 11 inches From the series Illuminations (unique/one of a kind work)

Aunt Winnie, 1995 ( W copper mat/2024)

Aunt Winnie, 1995 ( W copper mat/2024)

Image transfer on 12” × 8” copper plate with 14” x 11” inscribed copper mat .

Detail from copper mat, 2025

Detail from copper mat, 2025

Learning to Walk, 1982/2025

Learning to Walk, 1982/2025

Negative/image date 1982, Work on copper plate with inscribed copper mat 2025. Transfer on 6” x 6” copper plate with Inscribed copper mat 12.75 “ x 9.50” ( From the portfolio Illuminations)

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Miss Peggy, 2015 (image transfer on copper plate)
Self-Portrait as A Victim of Colonial Mentality, 1980(image) Mat, 2024
The Immersion, 2024
 Apparition 2025 (from Ayinde & I, 1981), (image transfer on 9 × 8 inch copper plate 2025)   Mat size 14 × 11 inches                                From the series Illuminations  (unique/one of a kind work)
Aunt Winnie, 1995 ( W copper mat/2024)
Detail from copper mat, 2025
Learning to Walk, 1982/2025
GALLERIESAboutConnect

Boulder,COLORADO, USA  •St. Catherine, JAMAICA, West Indies